Creation Spirit

Jim Young’s photographs have consistently explored the spiritual realm of human activities, both secular and religious in nature. Even the titles of Young’s photographic essays bear out his search for the spiritual: Impressions of the Heart, 1990; Cathedrals of a Different Kind,1991; With Eyes to See,1992; and Spiritual Life in Israel, 1996, to name a few, forge a context for his ongoing thesis. Whether creating photographs in Mexico, Israel, Greece, or the United States, Young produces visual images that celebrate the reverence of all peoples toward life, a reverence he himself practices both personally and as an artist. In this new body of work, Young combines all of his photographic acumen and his personal aesthetic to bring the viewer a unique visual essay.

The photographs in From the Stained-Glass Window to the Unspotted Mirror lead us through a private world of individual as well as group spirituality, sacrifice,and devoutness. The success of this essay lies not only in Young’s skill as an artist but also in his ability to relate to the individuals he is photographing. Their trust in Jim is evident in the way they have welcomed him into their world and given him permission to share it with us. This symbiotic relationship, built on trust, love, and an understanding and sharing in God’s work, has produced an exhibition of unparalleled strength.

Stephen C.Sumner
Professor and Director
Division of Fine and Performing Arts

Beyond the Stained-Glass
Window to the Unspotted Mirror

The Discalced Carmelite Nuns of Little Rock, Arkansas